Karnataka Kalashri, Guru, SUPRIYA DESAI, a
choreographer, dancer and teacher, par excellence, is a foremost exponent of,
Bharathanatyam and Kuchipudi. High
levels of technical perfection in movements, visual geometry and symmetry in
formations mark her highly acclaimed choreographic presentations. Supriya trained under Guru Sunanda Devi, and
later on under Guru Narmada, where she specialized under the Tanjore style of
Bharathanatyam. Supriya’s professional career is embellished with outstanding
presentations and performances such as Festival of India in Soviet
Union (1987), ICCR (1985-87), World Kannada conferences
(1985, 2000, and 2002), etc. Her presentations at both the World Kannada
conferences were rated the best programs for that event. She also has many outstanding productions and
choreographic works. Her performance in the
1985 TV documentary "Nectar in Stone", depicting the sculptures of Belur and Halebid in dance form won a
national award and was telecast in India
and Europe. The 15-city USA tour
with the production “Meera” was a huge success.
Her two most recent productions – “Mahishasura Mardhini” and “Sri
Krishna Tulabhara” received rave reviews from critics and were presented to
enthusiastic sellout audiences. As a
teacher, with eleven Arangetrams under the banner of her own dance school, Payal
Dance
Academy,
she has an enviable reputation built on the high quality performances from her
students, some of whom have won top prizes in regional and national level
competitions. Having completed 28 years after her Arangetram and 13 years of
teaching in the area, Supriya is now a well-established professional of
international repute
Awards:
·
“Karnataka Kalashree”, from Music and Dance
Academy of Government of Karnataka,
for excellence in dance, awarded in January 2003.
·
“Heritage of India”
award from the Hindu Society of NC for her dedication to promotion of India’s
art in North Carolina.
– Dec 2003
What dance critics say about Supriya…
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“What
makes one take notice of this dancer is the way she has groomed her wards in North
Carolina….. her composition of dances to solo numbers
that has set her apart as a teacher of worth.” - Jyothi Raghuram, February 4 2002 issue of “The HINDU”.
§
“A non-resident that is no less than the
local professionals …intelligent and impressive choreography kept the audience
spellbound .. very interesting way of presenting a dance-drama. I can say
without hesitation a very good effort” -
S. N. Chandrashekar, in January 24 issue of
Bangalore Daily Kannada Prabha, on dance-drama “Sri Krishna Tulabharam”
presented in Bangalore on Jan 10 2004.